[ p. 333 ]
SRI RAG
 
[ p. 334 ]
 
The following is another version of this Rag:
 
MAJH
 
[ p. 335 ]
GAURI
 
The following is another version of this Rag:
 
ASA
 
[ p. 336 ]
 
GUJARI
 
The following is another version of this Rag:
 
[ p. 337 ]
DEVGANDHARI
 
BIHAGRA
 
WADHANS
 
SORATH
 
[ p. 338 ]
 
DHANASARI
 
 
[ p. 339 ]
TODI
 
The following is another version of this Rag:
 
BAIRARI
 
[ p. 340 ]
TILANG
 
SUHI
 
BILAWAL
 
[ p. 341 ]
 
GAUND
 
RAMKALI
 
[ p. 342 ]
 
The following is another version of this Rag:
 
NAT
 
The following is another version of this Rag:
 
[ p. 343 ]
 
MALIGAURA
 
MARU
 
[ p. 344 ]
TUKHARI
 
KEDARA
 
The following is another version of this Rag:
 
[ p. 345 ]
 
BHAIRO
 
[ p. 346 ]
 
The following is another version of this Rag:
 
 
[ p. 347 ]
The following is another version of this Rag:
 
SARANG
 
[ p. 348 ]
 
The following is another version of this Rag:
 
MALAR
 
[ p. 349 ]
The following is another version of this Rag:
 
KANARA
 
[ p. 350 ]
KALIAN
 
[ p. 351 ]
PRABHATI
 
JAIJAWANTI
 
END OF VOL. V
As stated in the Life of Guru Nanak, these Rags are sung differently in different provinces of India. Of eight of them we have given alternative versions extracted from Raja Sir Surindra Mohan Tagore’s collection of Indian airs made for the Coronation of the King-Emperor. The Raja’s music is in a high pitch adapted for musical instruments ; the Gurus’ Rags are in a low pitch adapted for the voice. ↩︎