[ p. 333 ]
¶ THE RAGS OF THE GRANTH SAHIB
SRI RAG
[ p. 334 ]
The following is another version of this Rag:
MAJH
[ p. 335 ]
GAURI
The following is another version of this Rag:
ASA
[ p. 336 ]
GUJARI
The following is another version of this Rag:
[ p. 337 ]
DEVGANDHARI
BIHAGRA
WADHANS
SORATH
[ p. 338 ]
DHANASARI
[ p. 339 ]
TODI
The following is another version of this Rag:
BAIRARI
[ p. 340 ]
TILANG
SUHI
BILAWAL
[ p. 341 ]
GAUND
RAMKALI
[ p. 342 ]
The following is another version of this Rag:
NAT
The following is another version of this Rag:
[ p. 343 ]
MALIGAURA
MARU
[ p. 344 ]
TUKHARI
KEDARA
The following is another version of this Rag:
[ p. 345 ]
BHAIRO
[ p. 346 ]
The following is another version of this Rag:
[ p. 347 ]
The following is another version of this Rag:
SARANG
[ p. 348 ]
The following is another version of this Rag:
MALAR
[ p. 349 ]
The following is another version of this Rag:
KANARA
[ p. 350 ]
KALIAN
[ p. 351 ]
PRABHATI
JAIJAWANTI
END OF VOL. V
¶ Notes
As stated in the Life of Guru Nanak, these Rags are sung differently in different provinces of India. Of eight of them we have given alternative versions extracted from Raja Sir Surindra Mohan Tagore’s collection of Indian airs made for the Coronation of the King-Emperor. The Raja’s music is in a high pitch adapted for musical instruments ; the Gurus’ Rags are in a low pitch adapted for the voice. ↩︎